Ver Ghost Adventures Transmisión en vivo de película completa

Ver Ghost Adventures Película gratuita en línea Streaming

• Title: Ghost Adventures
• Year:
• Duration: unknown
• Rating: 7.5
• Genres: Reality-TV, Documentary, History

Haga clic para ver

Summary Ghost Adventures

Zak Bagans, Aaron Goodwin, Billy Tolley, and Jay Wasley investigate the scariest, most notorious, haunted places in the world.

Are you ready for the lockdown? Ghost Adventures crew -- Zak Bagans, Aaron Goodwin, Billy Tolley, and Jay Wasley -- is back to investigate the scariest, most notorious, haunted places in the world. The trio will interview eyewitnesses and historians at each location, arming themselves with the stories of the ghosts they will later provoke and confront during their dusk-to-dawn lockdowns. (Note: They don't always come out unscathed!) Then they'll review and analyze their findings with some the most respected experts and specialists in the paranormal field.

Synopsis Ghost Adventures

Click to Watch

Ghost Adventures Download Links

MKV Format	LINK	LINK	LINK	LINK	LINK
360p	GD2	CU	GD1	ZS	RC
480p	GD2	CU	GD1	ZS	RC
720p	GD2	CU	GD1	ZS	RC
1080p	GD2	CU	GD1	ZS	RC

MP4 Format	LINK	LINK	LINK	LINK	LINK
360p	GD2	CU	GD1	ZS	RC
480p	GD2	CU	GD1	ZS	RC
720p	GD2	CU	GD1	ZS	RC
1080p	GD2	CU	GD1	ZS	RC

Read More

Dracula 2000 2000 Transmisión gratuita de película completa

Ver Dracula 2000 2000 Película gratuita en línea Streaming

• Title: Dracula 2000
• Year: 2000
• Duration: 1h 39m
• Rating: 4.9
• Genres: Action, Fantasy, Horror

Haga clic para ver

Summary Dracula 2000 2000

A group of thieves breaks into a chamber expecting to find paintings, but instead they release the count himself, who travels to New Orleans to find his nemesis' daughter, Mary Van Helsing.

In the millenium version of this classic Gothic horror we find Abraham Van Helsing (Plummer), who has tangled with Count Dracula (Butler) in the past, working as an English antiques dealer. Simon (Miller) is a vampire hunter in training under his apprenticeship. Van Helsing and Simon travel from London to New Orleans to rescue Van Helsing's daughter Mary (Waddell) from the family's life long nemesis - Dracula.

Synopsis Dracula 2000 2000

1897 England: The schooner Demeter is nearing England. The crew is dead, and the captain is lashed to the wheel. Dracula has arrived.

2000 London: Matthew Van Helsing [Christopher Plummer], an aging collector of antiques, and his protegee Simon Sheppard [Jonny Lee Miller] are discussing the purchase of a medieval crossbow that Matthew means to add to his personal collection in the Carfax Museum. Among the artifacts on public display, Carfax Museum also houses a heavily-protected vault, and no one knows what it contains. It must be pretty valuable, though, so another employee, Solina [Jennifer Esposito], has arranged to break into the vault and steal whatever is in there. While Matthew sits in his office at the end of the day, Solina and her companions (Marcus, Trick, Nightshade, Dax, Charlie, and J.T) break the computer codes and make their way to the main vault, passing numerous vampire skulls and crosses along the way, only to find...a coffin. No one would think to look for treasure in a coffin, they reason, so this must be it. In searching for a way to open it,Eddie and Dax are impaled by spikes causing an alarm to go off in in Matthew's office. "It's not possible!" Matthew whispers to himself, arms himself with a gun that shoots silver bullets, and goes down to the vault to find that the coffin is gone, the thieves having removed it through a hole they've blasted in the vault's wall. "God help us all!" Matthew exclaims. When Simon comes into work the next day, he finds Matthew preparing to travel. But Matthew won't reveal where he is going, so Simon follows him...all the way to New Orleans.

New Orleans: Mary Heller [Justine Waddell] is awakened by a dream in which a vampire is attacking her. Mary has been having this dream for all her life and finds them troubling enough that she is receiving counseling from her family friend, Father David [Nathan Fillion]. She thinks the dreams have to do with something that happened to her mother before she died, and she thinks Fr David might know what it is. But Fr David isn't talking. On the other hand, Mary's roommate, Lucy Westerman [Colleen Fitzpatrick] thinks that all Mary needs is a real man in her bed. But it's Mardi Gras, and Mary vows not to let it bother her.

Meanwhile, the thieves are transporting the coffin on a cargo plane. Still trying to open it, Nightshade cuts himself. His blood is sucked into the coffin and the lid opens to reveal a body, a bunch of leeches, and a crucifix set with a ruby. As Nightshade searches the coffin for more treasure, Dracula [Gerard Butler] awakens. One by one, the thieves are drained of their blood, and the plane ultimately crashes in a swamp near New Orleans, the pilot lashed to his seat. While newscaster Valerie Sharpe [Jeri Ryan] is covering the crash, Dracula emerges from the swamp and makes her his second vampiress (Solina being first).

Matthew and Simon go to the townhall where the bodies from the plane crash have been taken. By now, they're all vampires. Matthew and Simon manage to destroy some of them, but Solina and Marcus escape. As Matthew and Simon drive away, Matthew finally fills Simon in on what's happening. Stoker's Dracula is real, he says, and Matthew Van Helsing is really Abraham Van Helsing, kept alive by injections of Dracula's blood, which he has been filtering through leeches. Van Helsing has been keeping Dracula's body ever since he bested him in 1897. Unlike other vampires, who can be destroyed by piercing their hearts or cutting off their heads, Dracula cannot die, and Van Helsing intends to remain alive until such time as he can learn the secret to Dracula's origin and find the way to end him. So far, all he has managed to learn is that Dracula hates God and is repulsed by all things Christian. He also reveals that he (Van Helsing) has fathered a daughter, Mary Heller, and that Dracula has come to New Orleans to find her. The two decide to go looking for Mary, Van Helsing to her house and Simon to the Virgin Megastore where she and Lucy both work.

Dracula is apparently following the same plan. He comes to Virgin looking for Mary, but Lucy tells him that she isn't there. Lucy takes Dracula home to wait for Mary. Dracula seduces Lucy and turns her into vampiress #3. When Simon arrives at Virgin, Mary has returned. Simon tries to tell her about her father. As they leave the shop, Simon is attacked by Marcus. "Never ever fuck with an antiques dealer," Simon warns Marcus just before beheading him. Meanwhile, Van Helsing arrives at Mary's house, only to find Dracula waiting for him. "You can't have her!" Van Helsing exclaims, but Dracula refuses to listen. "You stole life from my blood and passed it to another," he hisses. "She's MY Mary now." With that, Dracula kills Van Helsing by tossing him into a mirror.

Mary goes home to find her father dead and the three vampiresses and Dracula awaiting her. She escapes into Simon's arms. Looking for a sacred place to spend the night, they go to a church. While in the parish library, they research Dracula's background, learning only what they already know about his despise of all things Christian--holy water, the cross, the Bible. Only his dislike of silver remains unexplained. Suddenly, Dracula appears. Mary flees into the church cemetery while Simon attempts to divert Dracula with an open Bible. Dracula *is* diverted...right into the cemetery where he explains to Mary, "I have walked the earth for centuries in search of a soul not bitten but born. Everything I am is yours, and all that you are is mine."

Dracula takes Mary to the church roof where he reveals to her the secret of his long existence. He is Judas Iscariot, the disciple who sold out Christ to the Romans for 30 pieces of silver (hence, Dracula's dislike of silver). In atonement, Judas hung himself, but the rope broke and God scourged him with eternal life as a vampire. In a soliloquy in front of a lighted crucifix, Dracula cries out to God, "Now I drink the blood of *your* children. You made the world in your image. Now I make it in mine."

Meanwhile, Simon sees the three vampiresses feasting on Mardi Gras revelers. He stakes Valerie, but the remaining two capture him. Dracula takes Mary to Simon and tells her to feed from him. "I'd like his head," Mary says while unsheathing a sword. Just as she prepares to swing the sword, Lucy cries out, "She's faking!" In the melee that follows, Mary beheads Lucy instead of Simon, Simon beheads Solina, and Dracula winds up hanging by his neck from the lighted crucifix...just as the sun comes up. Dracula bursts into flames. Mary vows to take over her father's job of keeping Dracula's ashes, lest Dracula find a way to return to life. [Original Synopsis by bj_kuehl.]

Click to Watch

Dracula 2000 2000 Download Links

MKV Format	LINK	LINK	LINK	LINK	LINK
360p	GD2	CU	GD1	ZS	RC
480p	GD2	CU	GD1	ZS	RC
720p	GD2	CU	GD1	ZS	RC
1080p	GD2	CU	GD1	ZS	RC

MP4 Format	LINK	LINK	LINK	LINK	LINK
360p	GD2	CU	GD1	ZS	RC
480p	GD2	CU	GD1	ZS	RC
720p	GD2	CU	GD1	ZS	RC
1080p	GD2	CU	GD1	ZS	RC

Read More

Changeling 2008 Transmisión gratuita de película completa

Ver Changeling 2008 Película gratuita en línea Descargar

• Title: Changeling
• Year: 2008
• Duration: 2h 21m
• Rating: 7.7
• Genres: Drama, Crime, Biography

Haga clic para ver

Summary Changeling 2008

Grief-stricken mother Christine Collins (Angelina Jolie) takes on the L.A.P.D. to her own detriment when it tries to pass off an obvious impostor as her missing child.

Los Angeles, 1928. Single mother Christine Collins (Angelina Jolie) returns from work to find her nine-year-old son Walter (Gattlin Griffith) gone. She calls the L.A.P.D. to initiate a search. Five months later, a boy is found in Illinois who fits the description, and he says he's her son. To fanfare and photos, the L.A.P.D. reunite mother and son, but she insists he's not her boy. The cops dismiss her as either a liar or hysterical. When she joins a minister in his public criticism of the Police, they in turn use government power to silence and intimidate her. Meanwhile, a cop goes to a dilapidated ranch to find a Canadian lad who's without legal status; the youth tells a grisly tale. There's redress for murder; is there redress for abuse of power?

Single parent Christine Collins (Angelina Jolie) is a supervisor at the local telephone exchange, who, having returned home late from having to work overtime on a Saturday, finds her nine-year-old son Walter (Gattlin Griffith) is missing from their home. As the days and weeks go by, the Collins case becomes the object of a campaign by Pastor Gustav Briegleb (John Malkovich), who rails against the incompetence and corruption of the Los Angeles Police Department. Soon, the Police arrives with the news that they have found her boy, but when the lad is turned over to her, she realizes that the Police have returned a stranger to her in an attempt to bring an end to the public complaints about their handling of her case. Her attempts to get justice bring her into conflict with the L.A.P.D., who will go to any length to protect their reputation. When she continues to complain, she finds herself arrested and confined to the mental ward.

In March, 1928 in Los Angeles, California, Christine Collins (Angelina Jolie) lives with her beloved son Walter (Gattlin Griffith) in Lincoln Heights. When she is assigned to work overtime on Saturday at Pacific Telephone and Telegraph as supervisor, she promises Walter she will return at 4 p.m. to watch the latest Charlie Chaplin movie at the movie theater with him. However, she arrives home late and does not find her son. After seeking out the boy in the neighborhood, she reports the missing child to the Police, but the Police Officer tells her that she should wait twenty-four hours to register the complaint. Five months later, Captain J.J. Jones (Jeffrey Donovan) communicates to Mrs. Collins that her son had been found in DeKalb, Illinois, and is heading back home by train to be reunited with her. In the train station, Christine does not recognize the boy as being Walter, but Captain Jones advises her that his appearance has changed during the five months. Soon, she confirms that the boy is not her son, but the corrupt L.A.P.D. does not accept her arguments. When Mrs. Collins is approached by St. Paul Presbyterian Church Pastor Gustav Briegleb (John Malkovich), who daily broadcasts protests exposing corruption in the Police force, she decides to disclose to the press the evidence she has about the changeling. However, the abusive Captain Jones sends Christine to an asylum to intimidate her. Meanwhile, the efficient Detective Lester Ybarra (Michael Kelly) is assigned to arrest and deport an illegal Canadian boy who was hidden on a ranch in Wineville. He captures the boy, who discloses hideous crimes committed by his compatriot Gordon Stewart Northcott (Jason Butler Harner).

Synopsis Changeling 2008

On March 9, 1928, Christine Collins (Angelina Jolie) wakes her son Walter (Gattlin Griffith). After measuring his height against the wall gets him ready for the school day (joking around with him the whole way). She drops him off at school and goes to her job as a supervising phone operator at a Los Angeles telephone company. At the end of the day she picks Walter up at school on a cable car and he tells her that he got in a fight when another student said that Walter's father hated him. Christine corrects him by saying his father didn't even know him, so how could he hate him. Christine then explains that Walter's father was merely frightened of the responsibility that came with Walter and took off before he would have to deal with it, and Walter smiles and accepts this explanation. The next day Christine gets a phone call early saying that she has to come in since one of the other girls was sick. Eventually she agrees, disappointing Walter with the news that they have to go to the movies tomorrow, to which he sighs but nods. She tells him that there's a sandwich for him in the fridge and reminds him that a couple neighborhood girls will be by later to check on him, and she then heads out.

At the phone company, Christine is getting ready to leave when her boss Ben Harris (Frank Wood) stops her. He notes that she's done a great job as a supervisor and says that there may be an opening for a full-time assistant manager. She thanks him for the opportunity and they agree to discuss it over dinner the next night (although he obviously wants it to be more date and less business). Floating on cloud nine, Christine goes home and finds Walter missing. She searches the whole neighborhood and asks other children, but no one has seen him. Finally she calls the police, but is told by the man who answers, Detective Lester Ybarra (Michael Kelly) that most missing children turn up by morning and she shouldn't worry, he's probably just somewhere in the neighborhood and lost track of time, and that she's saying nothing that other mother's who've called haven't said. He offers to take her address, but she hangs up. The next morning, a police car comes and two cops take down her information and info on what Walter looks like, including taking a picture of him.

During the next few weeks, we see the investigation in various stages, led by captain J.J. Jones (Jeffrey Donovan), the head of the missing persons department. While they are conducting their investigation, Christine is doing her own investigation, calling various cities as far away as Las Vegas on a regular basis and seeing if any children fitting Walter's description have been found. At the same time, we see radio preacher Rev. Gustav Briegleb (John Malkovich) praying for Christine and for the safe return of Walter with his congregation (despite the fact that neither she nor Walter are members of his parish) while at the same time lambasting the corrupt and lazy police force. After five months of this, though, they are no closer to finding Walter than when they started. Meanwhile, in a town in Illinois called Dekalb, we see a man and his son (Devon Conti) at a hole-in-the-wall diner. The man reaches for his wallet to pay but realizes he forgot it at home. The owner gets pissed but decides to give the man twenty minutes to get to his house, pick up his wallet, and return to pay (with his son left as collateral). After two hours of waiting, though, the owner, now both angry and worried for the kid, decides to call the cops.

Back in Los Angeles, we see Christine moving listlessly through her job when Jones and Lester show up with some good news for her -- they have found Walter. After a big celebration at the company, Jones and Lester, along with Chief of Police James E. Davis (Colm Feore) escort Christine to the train station where in the midst of a big media circus she is reunited with....the boy from the diner. She states that that is not her son, and Jones explains how five months in captivity can both change how a person is remembered and how he or she looks in real life. Jones then asks the boy who he is and his address, and the boy gives the correct answers, but in a tone of voice that makes them sound like lines memorized for a play. Despite this, Christine eventually states that Jones may be right and after posing for a photo with "Walter" for the newspapers takes him back home.

That night, Christine and the boy are having dinner and she begins noticing things. First, the boy doesn't use manners, something Walter had been studious about. Second, and even more glaring, she notices as she is toweling him off after a bath that he is circumcised. Her eyes narrow and she drags the boy to where she had measured Walter back in March, only to find that this child is three inches shorter than Walter at the same time. This prompts her to visit Jones, who assures her again that they found the right boy -- almost demanding it, actually -- but he agrees to send a doctor over to verify.

The next day, Dr. Earl W. Tarr (Peter Gerety) arrives for the examination, but he barely does more than check for a sore throat before giving Christine the same spiel Jones gave her, only now including such tidbits as the fact that the spine can shrink in stressful times and that the kidnappers may have circumcised the boy themselves. She still refuses to believe this, though. That night, the boy is going to bed in Walter's room when he makes the mistake of saying "Good night, mommy", which causes Christine to fly into a rage, flinging a plate against the wall near his head and screaming that she wants her son back. Later, after the boy is asleep, she goes into Walter's room and apologizes to the boy for yelling but again asserts that they are not related. The next morning, Christine is woken by a phone call from none other than Gustav, who tells her to read the front page of the times and then stop by his church for breakfast. Sure enough, the days article is about her denying that the boy is her son despite the best efforts of the valiant officers and indisputable evidence that the boy is her son and how the police fear for the child's blah-blah-blah. Gustav then tells Christine the story of how Davis became chief and his first action was to give the biggest, toughest cops machine guns and then let them kill all the criminals they could -- not to eliminate crime, but to eliminate the competition. He then warns her of what she may be getting herself into, but notes that if she pulls this off, she could be the last woman to have the wrong child returned.

We then see Christine at Walter's dentist, who notes that Walter had a piece of muscle preventing the gap between his teeth from closing, which this boy does not have -- his teeth are even, something which he is eager to put in writing for her. The case is the same with school, where Walter's teacher is not remembered by the boy despite her teaching Walter for over a year and when "Walter" is unable to find his assigned desk, giving the teacher ample cause of her own to put her belief that this is not Walter Collins in writing, along with a promise to testify in court. Soon, we see Christine on the steps of a courthouse telling reporters that the police were wrong and she has proof of it. Naturally, this angers Chief Davis to no end and he orders Jones to take care of it. Jones has Christine and the boy brought in and after a heated "conference" wherein he calls her either delusional or a liar (or a pathological liar), he asks her one more time if that boy is her son. When she says no, he nods to two people and they take her away to an insane asylum where after being subjected to a very crude and harsh entrance examination series she is to be held for her own safety and the safety of the boy until such time as she can demonstrate that she is sane and capable of taking care of herself and the child.

Meanwhile, in Wineville (modern-day Mira Loma), near Riverside, we see Lester investigating a missing child report regarding a kid from Canada. He pulls over at one point to ask a stranded motorist for directions to the Northcott Ranch. The motorist, who just happens to be Gordon Northcott (Jason Butler Harner), the owner, pales a little and happily gives him the directions. Lester thanks Northcott and heads on his way to the seemingly deserted homestead. After poking around some he finds his quarry, one Sanford Clark (Eddie Alderson), and informs him that he's going back home to Canada as at the same time we see Northcott in a train station, trying to buy a one way train ticket to Canada, although the best he can do is get a ticket to Seattle where he would then have to either hitch, rent a car, or walk across the border.

Back with Christine (who has missed her appointment to appear on Gustav's show, much to his disappointment), we see her having her first breakfast in the asylum. She meets a woman named Carol (Amy Ryan) who is both sane and aware of her situation. Like Christine, Carol and a number of other women there were all brought in under a "Code 12" designation, which, while loosely defined, essentially means that they pissed off a police officer in some way, with Carol's reason being that she was someone who "worked" nights (to which Christine blushes) when a customer got a little rough, but when she filed a complaint, she found out that the customer was a cop. The available options, according to Carol, are to either keep your mouth shut and go home; behave by the asylum's rules and stay in one piece, but on the inside; or fight the system and end up with repetitive shock treatments. After breakfast, Christine has her first appointment with the head doctor, Dr. Johnathan Steele (Denis O'Hare). Christine tries to behave like she needs to to get out, but his dismissive treatment of her and accusations of lying/craziness, coupled with the photographic evidence of her posing with the boy in a front page article about mother and son being reunited, eventually cause her to start stuttering and trying to explain which only ends up making her look more insane, much to her dismay.

Meanwhile, we see Sanford in a waiting room somewhere with other kids, one of whom keeps banging a ruler up and down, causing Sanford to see a man with an axe hitting something and covering himself with blood every time the ruler comes down. After a while, he is brought in to see Lester and Lester asks why Sanford wanted to see him again. Sanford then tells Lester the story of how he had intended to only stay with his cousin at his ranch for a little while, but was eventually forced to stay there. Lester lights a cigarette and starts asking what that has to do with it, and Sanford tells them of something they would do. Every now and then, they would go driving in the city and pick up a boy who was alone by saying that his parents were in the hospital and they needed him to come with them now. According to Sanford, if just an adult asked, the kid would automatically refuse to get in, since they wouldn't take a ride from strangers. However, if they saw that there was already a kid in the car -- a kid like Sanford, for instance -- then it must be okay to get in. After they had the boy, they would take him back to the ranch and lock him up inside the chicken coop on the grounds, sometimes with as many as four or five others. Once things started to get crowded, Northcott would take some of the boys and hack them to death with an axe....except sometimes, he wouldn't go all the way, and he would force Sanford to finish. In either case, Sanford would then have to dig a grave and bury the bodies on the grounds.

By the end of this story, Sanford is in tears and Lester is in shock, with his cigarette having burnt all the way down without having been smoked. Pulling himself together, Lester asks if Sanford would remember the faces of those boys and Sanford nods yes. Lester pulls out a stack of pictures of missing boys and Sanford starts going through them. He puts the ones he recognizes face up on the table in front of him, eventually creating a pile of ten or fifteen pictures, with only a few rejects. Lester starts going through the recognized pile, looking at the names on the back. He pulls out one and asks Sanford if he's sure, and Sanford nods. Lester whispers, "Jesus Christ," and puts the picture, which is labeled "Walter Collins -- Age 9" on the table. He heads out of the room, grabs two other cops, and after grabbing Sanford and telling the cops he'll explain on the way, heads out.

The next day, Christine is having another "talk" with Steele and, after noting that she is having to be force fed her medication, informs her that if she is willing to sign a contract saying that she was wrong and the police found the right boy, then she could go home first thing tomorrow morning. She refuses and grows angry, causing the doctor to yell for an orderly, who drags Christine out of the room kicking and screaming. Carol, who is near all this, comes to Chrstine's defense by fighting with several of the nurses and orderlies and even going so far as to punch the good doctor. Naturally, this unruly conduct gets her some time in the shock treatment room. When Christine checks on her later, Carol admits that she's been pregnant twice and lost the baby twice. She tells Christine that the important thing is to keep fighting, and as for the doctors and orderlies...."Fuck them and the horse they rode in on." Christine laughs at this unladylike remark and Carol says that there's a place and time for being ladylike, and this is neither.

Meanwhile, Lester and his crew (including Sanford) reach the ranch and after securing the site they grab a shovel and tell Sanford to show them where the bodies are buried. He takes them to a spot that may once have had a small coop but now holds just the base of it, the rest having perished in a fire. Lester tells Sanford to start digging, which he reluctantly does, eventually unearthing first a shoe with a skeletal foot, then a hand, then a pair of ribcages. As Lester's partners recoil in shock and/or disgust, Lester steps forward and tells Sanford to stop, which, after a brief struggle, he does, collapsing in the dirt and crying.

Later, Jones is talking with Lester on the phone about Lester's discovery and the implications, especially those in the Collins case, when Gustav shows up with an army of lawyers demanding Christine. Jones quickly tells Lester to just get Sanford to the station and confronts Gustav. Fortunately (except for Jones), Gustav is able to get Christine's current location. The day after, we see Christine at roll call (where the inmates stand outside their doors to be counted). Steele asks Christine if she's ready to sign the contract and she says proudly, "Fuck you and the horse you rode in on." Steele orders immediate shock treatment and heads for his office just as Gustav is barging in with his army. As Gustav yells at the head nurse to bring Christine out, an order is given to nurses in the shock room to let Christine go and bring her to Steele's office. He tells her that she can leave, which she does without knowing quite why. As she departs, we see the headline on the paper he is holding -- "Bodies of missing children found at ranch -- Collins child believed dead" (not exactly it, but close enough). Christine walks outside and overhears a newsie shouting the headline and faints, but Gustav is suddenly there to catch her and take her home.

Sometime later, we see the fake Walter being interviewed by Lester. He claims innocence, but Lester says that given the Collins boy's death, he could be charged with accessory to murder. The kid doesn't believe it, but when Lester mentions that Sanford is going to jail at only fifteen (probably not true), he starts talking. Meanwhile, in Vancouver, we see Northcott arriving home at his sister's house. She welcomes him and after saying hello she invites him to go upstairs and clean up. As soon as he does, though, they hoof it and call the mounties, who are soon arriving to arrest Northcott.

Back in the states, Christine receives a visit from Gustav. He has brought a friend with him who he introduces as S.S. Hahn (Geoffrey Pierson). Gustav asks Caroline what her next step is and she brings up the idea of a civil case against the whole department. In turn, Gustav notes that he tracked down the only lawyer to go up against the city four times in civil cases and wins, but that he was much costlier than Gustav could afford. Christine nods sadly, at which point Hahn says that that's why he's doing this case pro bono. On top of that news and the subpoenas being filed against the department, including Jones and the chief, Christine and her new friends also manage to get all the women in the asylum that were placed there under Code 12 released -- including Carol, who shares a warm smile with Christine as she makes her way out.

About two weeks after this all started, on October 4, 1928, we see Christine and company heading into the courthouse amidst a swarm of people all carrying signs insulting the integrity of the LAPD. Inside the court, we see representatives of all parties gathered except for the LAPD. A recess is called, to the committee heads displeasure, and Christine is taken to a separate courtroom where the trial of Northcott is being held and where he enters a plea of "Not guilty". In the audience, a woman taps Christine on the shoulder and identifies herself as Leanne Clay (Lily Knight), a mother of one of the boys Northcott killed, which gives the two women an instant connection. On the same day, we see the fake Walter -- really a boy named Arthur Hutchins -- being reunited with his real mother by a smiling Chief Davis, who wants the press to note that the LAPD does many good deeds despite the bad deeds undertaken by a minority of the department. Unfortunately for him, this line gets derailed once the boy pipes up that it was the police who told him to be Walter Collins, which has Davis all but shoving the boy onto the train just to get rid of him. At this point, clips from each trial are shown, with people such as the Chief, Walter's teacher, and Walter's dentist testifying.

Most prominently shown is a clip of Captain Jones being interviewed wherein Hahn gets him to admit that he sent Christine to the mental hospital without warrant or cause. Eventually, the trials are concluded and verdicts are reached. For Northcott's case, it ends with him being found guilty, at which point he pauses to say that he hates everyone in the courtroom except for Christine, who he calls a real classy lady. He is sentenced to solitary confinement at San Quentin prison until October 2, 1930, at which point he will be hung from the neck until dead. In the civil trial, the decree is that Jones shall be permanently suspended (re: fired); Davis shall be demoted from his position as chief; and an internal review of the steps needed to allow someone to be committed shall be undertaken so that events such as those which allowed Christine and the other women to be committed so easily shall not happen again.

Two years later, on September 30, 1930, we see Christine at work. She takes her ten-minute "break", which consists of calls to missing child departments, when she is interrupted by none other than Hahn, her old lawyer friend. He informs her that Northcott has requested that he see her so he can tell her face to face what really happened to Walter. She goes down the next day but once the two are together, Northcott clams up. He says that he has confessed to God and been forgiven by Him and claims again that he never killed Walter, who he had called an angel at the trial, and that he does not want to lie now, lest he go to Hell. Christine demands to know what happened and that he tell the truth, even going so far as to throw him against the window to get him to talk, but it has no effect. She stays for the hanging the next day.

Northcott is calm and detached, making conversation with the reverend and saying he has no final statement. He loses control on the steps to the noose, though, and is carried up by two guards. A bag is placed over his head and the noose is fitted as straps are tightened around his body to ensure a minimum of struggling, lest the rope break and the whole thing be ruined. As the time approaches, Northcott strangely begins to sing "Silent Night". At the appointed time, the warden nods and the floor drops. Northcott jerks briefly, but after a minute is still.

Years pass. We next see Christine on February 27, 1935. Her operator friends are holding an Oscar party at one of their houses, but Christine declines, saying that she has too much work. Ben pops his head in her office and also asks, but she declines.... although after a moment, she tells him that if "It Happened One Night" (her pick for best picture) wins best picture over his pick, "Cleopatra", then she'll have dinner with him tomorrow night. Sure enough, that is just what happens. As she grins in her office, the phone rings. She picks up expecting it to be Ben, but is instead surprised by Leanne Clay, who says that they found one of the missing boys.

Christine runs to the Lincoln Heights precinct and meets with Leanne and her husband, who are watching in a viewing room as Leanne's son David (Asher Axe) is interviewed by Lester. David says that he was in there with four other boys -- two brothers named Winslow, a kid named Joseph...and Walter. One night, three of the boys staged an escape thanks to some loose fence on the coop. Joseph and Walter got out quickly, but David got stuck on the fence. As Walter runs back to get him loose, lights are turned on in the house and Northcott and Sanford realize that the kids are missing. Walter frees David and the two run for it as Northcott tried to give chase. They all went in separate directions, and David never saw either of the other boys again.

Eventually he found a house where a woman took him in, and that's where he had been staying until coming forward. Lester asks why he waited, and David says that he was scared that he'd be blamed for some of the deaths or that he'd be in some kind of trouble, at which point his parents come in and engulf him in a huge family hug, which Lester almost breaks up before deciding to let them have their moment. He and Christine head outside and he consoles Christine, saying that what Walter did was incredibly brave. She agrees and he asks what she'll do now. She smiles at him and says that if David escaped and survived, then maybe that means that Walter and the other boys also did, and that maybe Walter is out there right now, alive but afraid to come forward, thinking that something might happen to him or to his mother. Whatever the case, she says, she now has something she didn't have before. Lester asks her what that is, and she looks him in the eye and says simply, "Hope."

Click to Watch

Changeling 2008 Download Links

MKV Format	LINK	LINK	LINK	LINK	LINK
360p	GD2	CU	GD1	ZS	RC
480p	GD2	CU	GD1	ZS	RC
720p	GD2	CU	GD1	ZS	RC
1080p	GD2	CU	GD1	ZS	RC

MP4 Format	LINK	LINK	LINK	LINK	LINK
360p	GD2	CU	GD1	ZS	RC
480p	GD2	CU	GD1	ZS	RC
720p	GD2	CU	GD1	ZS	RC
1080p	GD2	CU	GD1	ZS	RC

Read More

Ver In Bruges 2008 Película completa Transmisión en línea

Streaming In Bruges 2008 Película gratuita en línea Streaming

• Title: In Bruges
• Year: 2008
• Duration: 1h 47m
• Rating: 7.9
• Genres: Drama, Comedy, Crime

Haga clic para ver

Summary In Bruges 2008

Guilt-stricken after a job gone wrong, hitman Ray and his partner await orders from their ruthless boss in Bruges, Belgium, the last place in the world Ray wants to be.

London based hit men Ray and Ken are told by their boss Harry Waters to lie low in Bruges, Belgium for up to two weeks following their latest hit, which resulted in the death of an innocent bystander. Harry will be in touch with further instructions. While they wait for Harry's call, Ken, following Harry's advice, takes in the sights of the medieval city with great appreciation. But the charms of Bruges are lost on the simpler Ray, who is already despondent over the innocent death, especially as it was his first job. Things change for Ray when he meets Chloe, part of a film crew shooting a movie starring an American dwarf named Jimmy. When Harry's instructions arrive, Ken, for whom the job is directed, isn't sure if he can carry out the new job, especially as he has gained a new appreciation of life from his stay in the fairytale Bruges. While Ken waits for the inevitable arrival into Bruges of an angry Harry, who feels he must clean up matters on his own, Ray is dealing with his own problems, not only with Harry, but with a Canadian couple and a half-blind thief named Eirik. Ray hopes he can count on both Chloe and Ken to help him carve out a new life for himself. In the end, Harry, involved in an incident with Jimmy, may have to keep to his own principles.

A Christmas story. Should one who killed a child be allowed to live? Harry Waters, a London thug, sends Irish hitmen Ken and Ray to Bruges to lie low after a job goes awry in a London church. Ken's the old hand, fascinated by the Medieval, with a fatherly attitude toward Ray, who's young and bored but chastened after the London job. Ray's disposition changes when he meets Chloë, a hip young woman who sells drugs on the local set of a movie featuring Jimmy, an American dwarf. Harry calls with irrevocable instructions. Ken balks, setting up a showdown in the town square. A pregnant innkeeper, dumdum bullets, and a code of conduct play into the resolution.

The Irish hit-men Ken and Ray are sent by the Londoner mobster Harry Waters to the medieval Belgium city of Bruges in Christmas after an awry job in a London church. Ray bungles it. While Ken enjoys the historic city, Ray feels completely bored and misses his home. Ray meets the small time drug-dealer and crook Chloë, who sells drug to the cast and crew of a movie that is filmed in Bruges, and has an incident with a Canadian tourist and later with Chloë's boyfriend. Meanwhile Harry, who has an stringent code of principles, gives Ken special orders.

Synopsis In Bruges 2008

The movie, a very dark comedy, begins in Bruges (a beautiful medieval city in Belgium) with two Irish hitmen, Ray (Colin Farrell) and Ken (Brendan Gleeson) are standing in a city square checking out the scenery. Instantly we see that Ken is enchanted with Bruges while Ray loathes the place. It is revealed that due to what happened in London they have no choice but to follow orders, stay in Bruges, lay low and wait for further instructions from Harry (Ralph Fiennes). Ray asks Ken how long he thinks they will have to stay in Bruges; Ken responds that he doesn't know, maybe two weeks. Again, we see that Ray is not happy about spending two weeks, let alone two hours, in Bruges. To add insult to injury it is Christmas and there is only one available room in the city (although at least it has two twin beds). During one of the first scenes in the hotel room Ken alludes to the incident in London indicating that they wouldn't be in Bruges if not for what happened, driving Ray to abruptly cut Ken off and retreat to the bathroom where he cries, distressed over whatever it was that occurred.

Later Ray makes comments about Harry sending them to, say...the Bahamas...instead of this "bleeping" city of Bruges. Ken advises Ray to make the best of it, for starters why don't they climb up the tower in the square and take a look at the view. Ray snidely says, "no, he can see the 'bleeping' view just 'bleeping' fine from where he 'bleeping' is. Rays takes a seat (rather frustratedly) on a park bench and Ken goes off to climb the tower. The cost of going up the tower is 5 Euros for which Ken has change but is one coin short. Ken asks the cashier/guard to give him a break but the guy impatiently points out to Ken the sign that clearly states 5 Euros. Ken isn't pleased at having to break a large bill or the cashier's refusal to cut him some slack but he pulls out a 50 Euro note and gives it to the cashier anyway putting the 4.90 in change back in his pocket (important later). Ken walks up the very narrow, winding stairs to the top of the tower and looks out over Bruges enjoying every second. He looks down on the square and sees Ray sitting on the park bench with his arms crossed over his chest. At that point a hint to the nature of Ray and Ken's line of work is alluded to when Ken makes a gun of his fingers and "shoots" Ray.

The scene changes to Ray down in the square who is approached by a family of three very large Americans who virtually stand on top of Ray without a clue as to who Ray is and begin to ask him if he has been to the top of tower. Again, Ray snidely responds that no he bleeping has not. The Americans are shocked and ask him why he doesn't want to go? Ray says he just doesn't want to and they shouldn't either (clearly because of their size though Ray doesn't come out and say it - yet). This back and forth exchange goes on with the Americans clearly wondering if Ray is saying what they think he's saying until Ray blurts out that they shouldn't go up because they're a bunch of bleeping elephants. The father explodes and haplessly tries to chase Ray, with Ray simply running in small circles dodging the American who can barely catch his breath after five seconds. The father gives up, the mother and daughter call Ray nasty names and they head off to go up the tower, meeting an oblivious Ken coming out the door who innocently advises the large family to watch out for the narrow stairs only to be called a bleeping a-hole by the daughter. Ray shrugs to a stunned Ken as if he has no idea why the Americans are so upset.

That evening Ray and Ken happen upon a movie being filmed on the city streets. Much to Ray's utter amusement the movie includes a dwarf to which Ray exclaims "Holy shit, they're filming a movie about bleeping midgets!" While watching the filming of the movie, Ray catches sight of Chloe (Clemence Poesy) and is in awe of her and also mistakenly believes her to be a celebrity when in fact it turns out she is far from it. Rays stays to watch the filming and Ken goes back to the hotel room to see if Harry called. Ray sneaks on to the movie set and gets a cup of coffee from the food area behind Chloe who is helping herself as well. They have a little flirtatious exchange including discussion about midgets whom Chloe explains prefer to be called dwarves. Ray and the dwarf, Jimmy, are introduced and Ray's amazement at Jimmy is obvious and totally irreverent. Chloe and Ray continue to talk resulting in Ray asking Chloe out for dinner the next night. Chloe walks away, dropping a calling card over her head much to Ray's delight.

The scene moves to Ken back at the hotel picking up a handwritten message from Harry, which the pregnant hotel proprietress has left for them. Harry is extremely ticked off that Ray and Ken were not in when he called and the "f" word is used liberally. The proprietress took the note verbatim and left nothing out. Ken is a bit embarrassed by the whole thing and goes to bed. Ray comes home and makes little effort to be quiet and not awaken Ken. He clearly wants to tell Ken all about his night and his planned date with Chloe the next evening and Ken clearly wants to go back to sleep. Ken tells Ray that Harry called and he will call again the next evening. Ray suggests it isn't necessary for both of them to be there and considering he already has a date would Ken wait by the phone and let Ray go out with Chloe. Ken agrees as long as in exchange they go sightseeing during the day. We see that though of different personalities Ken is fond of Ray in a de facto father-son way but won't come out and show it (and vice versa).

The next day Ken and Ray are touring an old church. Ken is giving Ray the history of the church including the fact that some part of the church behind the alter is so old it may have been touched by God and touching it would be like touching God himself. Ken clearly wants Ray to appreciate the significance of this but Ray doesn't get it or doesn't want to and passes on the opportunity to (in Ken's eyes) begin to redeem himself for what happened in London and walks out of church instead leaving Ken behind. Ray walks out and sits on a bench. Across the street, he sees Jimmy walking and waves to him enthusiastically. Jimmy doesn't acknowledge him leaving Ray annoyed.

The scene then flashes back to the incident in London. Ray is sitting in a confessional admitting to a priest (an uncredited Ciaran Hinds) that he is a hit man and he kills only for money. Not for revenge or out of anger, just for money. The priest who is quite dismayed by this confession asks Ray who he killed and Ray replies, "You" and shoots him. The priest stumbles out of the confessional and manages to make his way to the doorway into the church itself where Ray shoots several more bullets into his back. Before falling dead to the floor, the priest faintly says "a little boy". Ray looks past the dead priest on the floor and to his horror sees and young boy, perhaps 4 or 5 years old still kneeling in prayer with a clean but blood-filled bullet hole through his otherwise pristine forehead. One of the bullets went through the priest and struck the child. The little boy then crumples to the floor, dead, with a note in his hand indicating he was praying to God to do better in Math and other simple, childhood concerns. Ray goes to the boy but it is too late and the scene ends with Ken rushing to Ray and dragging him out of the church. This is the incident that drove Harry to send Ken and Ray to Bruges to lay low and what is - despite all of Ray's bluster and bravado - killing him inside. Ray is tormented with grief and guilt over accidentally killing the child.

The next night Ray and Chloe are sitting at a table in a restaurant where Chloe is smoking her cigarette much to the dismay of a nearby couple who don't appreciate smoke in their face. In an unexpected and oddly honest exchange Ray reveals he shoots people for a living and Chloe reveals she deals drugs to movie sets and neither seems the least bit concerned about the other's career choice. Ray also reveals his inability to be tactful by first shamelessly insulting Bruges (Chloe's hometown) and then going out of his way to think of a crass joke about Belgium and child molesters. Instead of being repulsed by Ray's sensitivity Chloe shows she can give as good she gets. Chloe goes to use the bathroom and the annoyed man at the next table mutters how un-bleeping "unbelievable" it (she) is. Ray hears the guy's comment and tries to ignore it but can't and asks the guy what the hell he meant to which the guy rudely tells Ray he doesn't appreciate Ray's girlfriend blowing her cigarette smoke in his and his girlfriend's faces to which Ray points out that they are sitting in the smoking section to which the guy says he doesn't bleeping care and the conversation turns into a bit of a political tit-for-tat with Ray assuming the guy is an American and therefore arrogant and imperialistic and mentions something about Vietnam which confounds the other guy and the whole thing ends up with Ray just flat-out punching the guy, then the guy's girlfriend entering into the fray and Ray punching her in the face as well. At this time Chloe comes back to the table, surveys the scene and they both promptly leave. Ray thinks Chloe hates him when in fact she seems intrigued by him and gives him a big kiss. She then goes to make a call (important later).

Back at her apartment, Ray and Chloe are very close to having sex when Chloe's boyfriend/co-conspirator (Erik) appears behind Ray with a gun to his head. Ray realizes he has been scammed, Chloe admits she and Erik have a habit of robbing tourists, Ray is pissed off because it's been months since he's had sex (he doesn't seem too concerned about the gun aimed at him) meanwhile Chloe yells at Erik asking him why he came. Obviously the phone call she made was telling him not to come as she didn't want to rob Ray. In fact it seems she really does like him. Meanwhile Erik still has the gun in his hand which Ray deftly takes with a very quick maneuver involving a head butt only to find out - when a now irate Erik brandishes a very large knife - it is loaded with blanks. Ray shoots the gun at Erik's eye at very close range and whatever makes up a blank sears Erik's eye causing him terrible pain. Erik is being very un-gunman-like, holding his hand to eye and whining pathetically. Chloe takes Erik to the hospital but on her way out tells Ray to call her.

In the meantime, Ken is at the hotel when Harry calls. Not wanting to tell Harry that Ray is on a date, Ken pretends Ray is on the toilet thinking this will suffice. But no, Harry wants to know if Ray is taking a poo or just a wee. Harry then asks if Ken and Ray love Bruges as much as Harry does (from a long-ago visit). Ken is befuddled but goes along with it culminating in Harry asking Ken to get rid of Ray for half an hour so they can talk in private still unaware that Ray is already out. Ken goes through a silly charade of pretending to get rid of Ray then there is much talk about how magical and fairy-tale like Bruges is. Harry asks Ken if Ray likes Bruges as much as they do and Ken begins to tell Harry that Ray isn't as charmed with the place much to Harry's disapproval. Ken recovers quickly and makes up a story about Ray walking through the city in the fog and saying something like "it's like living a dream" which pleases Harry very much because Harry just wants Ray to experience something beautiful because he "was" a good kid. The use of the past-tense alerts Ken to Harry's plan. We see Ken's concern that he just gave Harry the green-light he wanted to eliminate Ray. Harry makes it clear that Ken must kill Ray because Ray killed the boy, accidentally or not. Ken does not want to do this, knowing full well how stricken Ray is and feeling like Ray can redeem himself. Harry informs Ken that since they were sent to Bruges without weapons, arrangements have been made for a gun to be picked up at a contact's house in Bruges and the job must be completed ASAP.

Ken is conflicted with his orders, leaves the apartment and goes to a bar where he drinks 4 presumably Belgian beers in 20 minutes. Ken spies Jimmy at the other end of the bar sitting with a prostitute. In talking to Jimmy Ken learns he is American. Jimmy asks that Ken not hold it against him, Ken says he won't as long as Jimmy doesn't say anything too loud or crass. Ray then enters the same bar and upon seeing Jimmy promptly confronts him asking why he didn't wave back to him earlier. Jimmy apologizes saying he was high on horse tranquilizers (given to him by Chloe) and he didn't know what he was doing or who or where he was. Jimmy, Ray, Ken and now two prostitutes end up in Jimmy's hotel room doing drugs and making use of the prostitutes when Jimmy begins a political discussion about the inevitable race war the world is heading towards between the blacks and whites. Drunk and high, Jimmy is getting belligerent and preachy claiming the Pakistanis, the Vietnamese and basically anyone who isn't white will side with the blacks. Ray seems more amused with the prospect of a midget versus midget war while Ken is seriously annoyed because he was married to a black woman whom he loved more than anything and she was killed by a white man. He asks Jimmy given that info whose side will he be on in this supposed war. Jimmy retreats and says Ken will have to make that decision on his own. Ken is revealed to be a sensitive man capable of great love while also being a hit man. The night ends with Ken and Ray leaving abruptly and returning to their hotel.

The next day Ken goes to the contact's house to the gun to kill Ray. The contact is an oddball eccentric who advises Ken if he were to murder someone he would do it in one of the alcoves in the park because they are isolated this time of year. The contact seems focused on these alcoves and an irritated Ken takes the gun and leaves. He goes back to the apartment where the proprietress greets him in the lobby remarking on what an odd person Ray is. While Ken was gone Ray had given her what appeared to be his last 200 Euros and left to go to the park. Ken goes upstairs and sees a suicide note from Ray saying he went to the park so she (the proprietress) wouldn't have to clean up the mess. (Ray has Erik's gun and bullets he stole from Chloe's apartment.) Ken rushes to the park and sees Ray sitting on a bench by a playground. Ken reluctantly readies his gun and walks up behind Ray aiming to shoot him when Ray puts his own gun to his own head. Realizing Ray is about to kill himself, Ken rushes forward and stops him just in time. A surprised Ray turns around, sees Ken's gun and realizes Ken was just about to kill him. Each one wonders aloud what the other was about to do and it's obvious to both that Ken doesn't want to kill Ray or see him kill himself. Ray breaks down, Ken tells Ray to get on a train, leave Bruges and start over that Ray is no use to anybody dead. Ken explains what Harry is up to including the fact that he sent them to Bruges because he wanted Ray to have a vacation in a nice place before he died. This is quite comic considering how passionately Ray hates the place and the look on his face says it all. Ken tells Ray he can't bring back the little boy but maybe he can save another. Ray knows that Ken is risking his own life by not killing him. Ken hands Ray the 200 Euros he'd given the proprietress and puts him on a train but not before taking Erik's gun from Ray first, fearing that Ray will just try to kill himself again.

The train pulls out; Ken has made his decision and goes back to the hotel to tell Harry who is not pleased. Ken tells Harry to meet him in the square when he gets to Bruges knowing that Harry will come for him. Meanwhile on the train, Ray is at least getting the hell out of Bruges when a steward approaches Ray and accuses Ray of "heeting the Canadian". Ray has no idea what this guy is talking about when the anti-smoker from the restaurant appears and fingers Ray as the guy who attacked him. Apparently the anti-smoker was not an American but just a jerk Canadian. Ray is taken off the train and to jail... back in Bruges. Chloe bails Ray out and they wander over to the city center where they have a beer, Ray is unaware that Harry has now arrived from London and headed for the same square to meet Ken. First Harry goes to the gun contact's house where the guy goes on about the alcoves again to Harry and lo and behold the contact happens to be the uncle of Erik who is also there licking his wounds. We learn Erik was permanently blinded by the blank and wants Ray dead. Harry engages in an exchange where he puts the blame for the blindness squarely on Erik's own shoulders because he got shot by a blank from his own gun that he used in a half-assed robbery in which he held the gun to another man's head. To Harry, Erik got what he deserved and Erik is left speechless and red-faced. Back to Ray and Chloe who are drinking a beer at an outside cafe when Jimmy appears and invites them to watch the movie being filmed elsewhere. They decline but not before getting in one last laugh at the midget dressed in a school boy's uniform with a little cap on his head.

Harry has now caught up with Ken at the square and knowing that Harry will kill him, Ken asks that they at least go to the tower to get it over with. On their way they walk right past a kissing Chloe and Ray and no one sees the other. Harry and Ken approach the guard/cashier (the same guy from the beginning) who says the tower is closed because some American had a heart attack while climbing the steps the day before. Harry asks the guy to do him this one favor and the guard pulls the same shtick and pointing his finger squarely in the middle of (and on!) Harry's forehead taps out that "the tower is closed! Got it?! Ken knows this will not go over well with Harry and walks onward while in the shadows we see Harry beat the crap out of the guard. Harry and Ken then ascend the tower and upon reaching the top they each marvel at the beautiful view. To Harry's surprise, Ken gives up his gun, he says he will not fight. He says he has too much respect for Harry and owes him too much to fight anymore. He goes on about this until we think Harry is just going to shoot him when then Harry throws up his arms saying now he can't shoot Ken after the nice things he just said. Frustrated, Harry tries to explain to Ken why it is Ray has to be killed. Harry thinks Ray should have killed himself the minute he realized he'd killed the boy, that's what Harry would have done (important). Ken defends Ray saying he can be redeemed and what does it matter it's done, Ray's gone and no one knows where he's going. At this point Harry shoots Ken in the thigh (not a mortal wound) saying he couldn't just let Ken get away with letting Ray go. Everything seems to be resolved, Harry is carefully helping Ken down all of the stairs one narrow step at a time when Erik sees Chloe and Ray and they ask him to join them, but he walks away.

Knowing Harry is with Ken at the tower Erik meets them on the stairs and tells them that Ray is back in Bruges and he is right outside. Everything changes, both Ken and Harry go for their guns (Ken to shoot Harry to keep him from killing Ray and Harry to shoot Ken) and in the struggle that follows Harry shoots Ken through the neck but it doesn't kill him though there is a lot (a lot!) of blood. Harry runs down the stairs which apparently there are many of because in the time it takes for Harry to get halfway down a badly wounded Ken has dragged himself back up to the top of the tower leaving globby streams of blood in his wake. Ken reaches the top of the tower to try to warn Ray but the fog has moved in and he can't see anything. Ken then reaches into his breast pocket and puts away his gun, reaches into his pants pocket and pulls out the change and begins to drop the coins one by one from the tower which draws the attention of the people in the square below, including Ray and Chloe. Everyone looks up at the tower in time to see Ken launch himself off and onto the pavement below. Ken hits the ground with a sickening crush. Having seen the whole thing Ray runs over realizing at the last moment that it is Ken on the ground and he is barely alive. Ken tells Ray that Harry is in Bruges and to take Ken's gun from his pocket. A very upset Ray doesn't know what to do but he pulls the gun from underneath Ken only to find it too is broken in pieces from the impact. Frantic, Ray tries to get Ken to tell him where Erik's gun is but Ken tells Ray he's going to die now and does. Just then Harry runs out of the tower stairs and sees a dead Ken on the ground and a distraught Ray standing over him. Rays makes a run for it back to the hotel where he thinks Ken hid the gun. Harry gives chase shooting at him despite the presence of other people.

Back at the hotel Ray has just enough time to get the hotel room key from the proprietress and scream at her to get away somewhere safe for her and her unborn baby's sake. Ray runs up to the room, finds the gun then hears an altercation downstairs which is the proprietress blocking Harry's way with her pregnant belly and a stunned Harry looking at this woman in total shock. The woman says it is her hotel and she will not leave to which Harry has no response and Ray hearing all of this is furious. He calls down the steps to Harry saying they have to take their gunfight somewhere else where the proprietress will be unharmed. Not sure how to do that they clumsily devise a plan to move the fight elsewhere with their guns still trained on each other and a stupefied proprietress questioning their sanity and intelligence. The plan is since the hotel sits alongside a canal, on the count of three Ray will run back into his room, jump out the window and Harry can run outside to the bridge and try to catch him in the canal. Plan made, they both just stand there, each waiting for the other to start counting with the proprietress looking on in disbelief. Harry tells Ray to count to three. Ray counts, Harry runs out the door in time to see Ray leap from his window into the canal and onto a passing boat. Ray thinking he's far enough away from Harry not to be hit is surprised when Harry shoots him from the bridge square in the stomach.

At the first dock, Ray gets off the boat and continues to try to get away albeit badly hurt and again Harry gives chase. They end up at the location where Jimmy's movie is filming which is a very surreal scene with bizarre costumes and circusque people lingering around. Jimmy sees Ray and realizing something isn't right walks over to him at the same time Harry approaches Ray from behind and shoots him several times in the back just as Ray had shot the priest. We hear Ray faintly say "a little boy" before he falls over and crawls agonizingly over to the dead and horrifically disfigured body of Jimmy who was hit by one of the bullets in the forehead. Still wearing the little boy costume and unrecognizable facially, Harry sees what he thinks to be a child and saying "you have to stick to your principals" puts the gun in his mouth and kills himself.

The final scene is of Chloe screaming over Ray, as he's loaded onto a gurney and into an ambulance and his voice over talking about Heaven and Hell and Purgatory and no matter what he just doesn't want to die in Bruges.

Click to Watch

In Bruges 2008 Download Links

MKV Format	LINK	LINK	LINK	LINK	LINK
360p	GD2	CU	GD1	ZS	RC
480p	GD2	CU	GD1	ZS	RC
720p	GD2	CU	GD1	ZS	RC
1080p	GD2	CU	GD1	ZS	RC

MP4 Format	LINK	LINK	LINK	LINK	LINK
360p	GD2	CU	GD1	ZS	RC
480p	GD2	CU	GD1	ZS	RC
720p	GD2	CU	GD1	ZS	RC
1080p	GD2	CU	GD1	ZS	RC

Read More

Lake Mungo 2008 Transmisión gratuita de película completa

Stream Lake Mungo 2008 Película gratuita en línea Streaming

• Title: Lake Mungo
• Year: 2008
• Duration: 1h 27m
• Rating: 6.3
• Genres: Drama, Mystery, Horror

Haga clic para ver

Summary Lake Mungo 2008

Strange things start happening after a girl is found drowned in a lake.

Sixteen-year-old ALICE PALMER drowns while swimming in the local dam. When her body is recovered and a verdict of accidental death returned, her grieving family buries her. The family then experiences a series of strange and inexplicable events centered in and around their home. Profoundly unsettled, the Palmers seek the help of psychic and parapsychologist, RAY KEMENY. Ray discovers that Alice led a secret, double life. A series of clues lead the family to Lake Mungo where Alice's secret past emerges. Lake Mungo is a mystery, a thriller and a ghost story.

Synopsis Lake Mungo 2008

Sixteen-year-old Alice Palmer drowns while swimming with her family at a dam in Ararat, Australia. Following the tragedy, her teenaged brother Mathew sets up video cameras around the house to record what seem to be images of Alice's ghost appearing in the family home. They consult psychic Ray Kemeny for insight on the apparent haunting, but he is unable to provide explanation. It is discovered that Mathew was actually setting up the "sightings" of his dead sister to give the family reason to exhume her body and give his mother closure. However, upon closer review, one of the hoax videos captures Alice's bedroom being searched by Brett, a neighbor for whom she had worked as a babysitter. After her own search of the bedroom, Alice's mother June finds a hidden videotape showing Alice in a sexual encounter with Brett and his wife.

Ray admits that Alice had met with him several months before her death and had told him she was having dreams about drowning, being dead and her mother not being able to see or help her. Alice's boyfriend comes forward with mobile phone footage of a school trip to Lake Mungo, in which Alice is captured burying something at the base of a tree. The Palmers travel to Lake Mungo and find the tree, where they dig up her mobile phone. The footage on the phone shows her walking down the shoreline of the lake and encountering a ghostly, corpse-like doppelganger of herself, with a bloated and disfigured face, appearing just as her body had been found in the lake.

The Palmers move out of their house, feeling that Alice had simply wanted them to know who she really was and what she had seen. The family now believes that the haunting has ended and Alice's ghost has moved on. The film ends with a family photo of the Palmers on the front lawn of their house as the figure of Alice watches from the window. The credits are inter-cut with prior footage, revealing several sightings of Alice's ghost throughout the film that had gone unnoticed. After the credits have rolled, a figure that may be Alice or her doppelganger stands at Lake Mungo in the darkness while lightning strikes.

Click to Watch

Lake Mungo 2008 Download Links

MKV Format	LINK	LINK	LINK	LINK	LINK
360p	GD2	CU	GD1	ZS	RC
480p	GD2	CU	GD1	ZS	RC
720p	GD2	CU	GD1	ZS	RC
1080p	GD2	CU	GD1	ZS	RC

MP4 Format	LINK	LINK	LINK	LINK	LINK
360p	GD2	CU	GD1	ZS	RC
480p	GD2	CU	GD1	ZS	RC
720p	GD2	CU	GD1	ZS	RC
1080p	GD2	CU	GD1	ZS	RC

Read More